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2022-08-15 20:58:12

Film Freak Central Home Home~Master Review Index~Interview IndexThe Film Freak Central Blog (2005-2012)Loose Frames (tumblr.) .bx-caption {top:0; height: 25px; overflow: hidden;left:0;width: auto !important;background: rgba(0, 0, 0, 0.55) !important;} August 5, 2022 Bullet Train (2022)*/****starring Brad Pitt, Joey King, Aaron Taylor-Johnson, Sandra Bullockscreenplay by Zak Olkewicz, based on the book by Kôtarô Isakadirected by David Leitchby Walter Chaw I have so many thoughts about David Leitch's Bullet Train, and I don't think a single one of them coheres with any of the other ones. This is most likely a product of general exhaustion, or a lifetime misspent on excess consumption of media colliding now in middle-age with my becoming somehow the go-to for Amer-Asian-splaining of representational issues in American cinema. Like the whole "whitewashing" thing going on around Bullet Train, which is based on a popular Japanese novel by Kôtarô Isaka, who is pleased people like Brad Pitt and Brian Tyree Henry are in this big-budget Hollywood adaptation because it raises his profile internationally. Sony Pictures, whose parent company is Japanese, has already come out saying the same stupid shit about how much they wanted to honour the Japanese source material by hiring the best actors for the project--who happen to be Not Japanese--while Asian-Americans are rightfully outraged about the same stupid shit because of how much damage this ingrained corporate "wisdom" continues to wreak on the Asian-American community. If we continue to pull on this thread, we find Isaka has stolen the entire premise and execution of his book from Guy Ritchie and Quentin Tarantino, who, as we know, have stolen their things from British New Wave gangster flicks on the one hand, Asian cinema on the other--Asian cinema that has its roots in, what, Kurosawa? Whose favourite filmmaker was John Ford? And who was ripped off by Italian guy Sergio Leone, who was ripped off by Sam Peckinpah, who was ripped off by Hong Kong legend John Woo, who was ripped off by everybody for a while there. There's a scene in Bullet Train where Brad Pitt and Brian Tyree Henry, both playing hitmen, fight each other in tight quarters that is awfully reminiscent of Jackie Chan. Another scene recalls Louis Leterrier, who probably learned it from Jet Li--and neither Chan nor Li is Japanese, of course.Continue reading "Bullet Train (2022)" » Posted in 2022, Action, Authors: Walter Chaw, Comedy, Japan, Theatrical, Thriller | Permalink August 4, 2022 Prey (2022)****/****starring Amber Midthunder, Dakota Beavers, Dane DiLiegro, Stormee Kippscreenplay by Patrick Aisondirected by Dan Trachtenbergby Walter Chaw There is a complete lack of pretense to Dan Trachtenberg's Prey--lack of pretense being one of the emerging traits of a filmmaker whose two films so far (both stealth sequels, both tremendously ethical towards their source materials) are lean genre exercises that feel like minor miracles in a landscape studded with sodden, high-profile disasters. Neither a puzzlebox nor a legacy sequel requiring a spreadsheet and an encyclopedic knowledge of a quarter-century of lore, Prey tells a particular, standalone story in an economical way. It's a coming-of-age period piece with shades of Mel Gibson's Apocalypto; what I'm saying is it means business. Set in the Northern Great Plains in 1719, it follows a spirited young Comanche woman, Naru (Amber Midthunder), as she tries to prove herself as a hunter under the shadow of her brother, Taabe (Dakota Beavers), a gifted bowman and all-around badass who has a stranglehold on the admiration of their tribe. When she follows an all-male hunting party in search of the mountain lion that has attacked one of their people, one of the young men asks her why she's bothered, given that they don't need a cook out there in the wilderness. But she sees things they miss in their arrogance and desire to impress one another. Like the skinned rattlesnake left by a path, or the footprint bigger than anything that should be in this place. The boys discount the latter as nothing to worry about, lest they be seen as cautious and thoughtful--as feminine, like Naru.Continue reading "Prey (2022)" » Posted in ****/****, 2022, Action, Authors: Walter Chaw, Drama, Horror, Sci-Fi, Streaming, Thriller | Permalink July 21, 2022 Nope (2022)**/****starring Daniel Kaluuya, Keke Palmer, Steven Yeun, Michael Wincottwritten and directed by Jordan Peeleby Walter Chaw I don't think you ever see the heroes getting hurt, but they limp around a lot, and I couldn't stop wondering why. Just because it's more dramatic to be out of breath and limpy? There's a rule about not looking something in the eye, but I don't know how the horses can obey it, or if horses look up and behind them when they run. I've never seen them do that, in any case. If there's a rule about eyes, is the plan, in the end, to put eyes on the hood of that hoodie, and if it isn't, why did he? I understand there's a point being made here about how Hollywood doesn't care about the people who work in it--especially minorities and child actors--once their usefulness has been used up, yet I worry if by equating their trauma with a television chimp who goes insane and starts eating faces that the analogy, assuming there is one, has gotten as out of control as the chimp. There's a reveal that's less a reveal of an important plot point than a reveal that the reveal of an important plot point was left out somewhere. There's a powerful opening scene where something happens involving a nickel that is very effective up until the moment it's explained, at which point it no longer makes sense; why did it do what it did and not what it does for the rest of the film? Is it attracted to movement? Noise? It seems like both--but if so, how are folks constantly escaping it by moving around and making noise? That picture she takes? It looks ridiculous and will be convincing to no one. Wouldn't the camera and the film the famous cinematographer is shooting still be in one piece, like a black box, when the thing happens with the balloon? How is that the first balloon it's ever seen or eaten? If I ate a balloon (and could, for instance, withstand multiple gravities of speed and possibly interstellar travel), would I explode?Continue reading "Nope (2022)" » Posted in 2022, Authors: Walter Chaw, Horror, Mystery, Sci-Fi, Theatrical, Thriller | Permalink July 12, 2022 12 Monkeys (1995) - Blu-ray Disc|4K Ultra HDPlease note that all framegrabs are from the 1080p versionTwelve Monkeys***½/****BD - Image A Sound A- Extras B4K - Image A- Sound A- Extras Bstarring Bruce Willis, Madeleine Stowe, Brad Pitt, Christopher Plummerscreenplay by David Webb Peoples & Janet Peoples, inspired by the film La Jetée written by Chris Markerdirected by Terry Gilliamby Bryant Frazer Twelve Monkeys is a movie about a moment. Yes, sure, it's a decades-spanning science-fiction tale about time travel, the illusion of free will, and a romance at the end of the world. Yet its defining facet is its repeated, soulful depiction of a few terrible minutes in the life of a young boy who witnesses an event that's tragic in ways he can't comprehend. That's how the story starts and how it ends, the first thing we see and also the last--a child's eyes, open wide, as he is exposed to the spectacle of death, probably for the first time. Although Twelve Monkeys deals with the destruction of human civilization by a lethal contagion, and the plague's aftermath, less of the action centres on the plague itself than on this little boy. Mostly, it's concerned with a man named James Cole (Bruce Willis), who believes he's a time-travelling agent sent back from the 2030s, after a small number of survivors retreat to the safety of underground caves. Liberated from a prison cell for the mission to contemporary Philadelphia (ground zero for the virus release), Cole is trying to discover information about its origins that can be used, decades hence, to help make the earth's ruined surface safe for human habitation. Success means redemption, since Cole would return to his future world a hero. But in an ironic twist, Cole is almost immediately institutionalized; only psychiatrist Kathryn Railly (Madeleine Stowe), a specialist in "madness and apocalyptic visions," and fellow patient Jeffrey Goines (Brad Pitt), who may be a nascent environmental terrorist, suspect Cole's references to upcoming cataclysmic events may be more than just delusional.Continue reading "12 Monkeys (1995) - Blu-ray Disc|4K Ultra HD" » Posted in 1990s, 2019, 2022, 4K Ultra HD, Arrow Video, Authors: Bill Chambers, Authors: Bryant Frazer, Blu-ray Disc, Directors: Terry Gilliam, Drama, Sci-Fi, Time Travel | Permalink July 3, 2022 Masks: FFC Interviews Scott DerricksonWalter Chaw interviews Scott Derrickson,director of THE BLACK PHONEI've known Scott Derrickson a long time--indeed, an eternity in Internet years. He grew up in Westminster, Colorado, just down the road from where I live now, in a "cone of death" where the plutonium from the now-closed Rocky Flats nuclear plant--through a series of fires, meltdowns, and misadventures--was lost into the air in particles a magnitude smaller than pollen. The site is among the most contaminated places on Earth still, though judged to be clean enough to house a "wildlife preserve" and way too much new housing, the residents of which are not informed of the level of radioactivity they're sitting on. To this day, dogs aren't allowed at Standley Lake because dogs...dig. We grew up making jokes about the glow coming from the plant at night. Whenever I drove past it as a kid, I would hold my breath with the thought that maybe this would insulate me from irradiation and cancer. Maybe it did.Continue reading "Masks: FFC Interviews Scott Derrickson" » Posted in 2022, Authors: Walter Chaw, Horror, Interviews | Permalink June 27, 2022 The Unbearable Weight of Massive Talent (2022) - 4K Ultra HD + Blu-ray + DigitalPlease note that all framegrabs are from the 1080p version*/**** Image A- Sound A- Extras B+starring Nicolas Cage, Pedro Pascal, Sharon Horgan, Tiffany Haddishwritten by Tom Gormican & Kevin Ettendirected by Tom Gormicanby Bill Chambers There's a lot I don't understand about Tom Gormican's The Unbearable Weight of Massive Talent that has nothing to do with its alleged postmodernism. I don't understand why Nicolas Cage, David Gordon Green, and Demi Moore play "themselves" while Neil Patrick Harris, who plays himself in everything, does not. I don't understand the point of Green playing himself--that is to say, I don't understand the point of the director character being David Gordon Green, since a) he's just an avatar for clout one doesn't necessarily associate with Green, b) his prior relationship with Cage is never excavated or exploited (they made the not-uninteresting Joe together in 2013), and c) it's doubtful that enough viewers will know who Green is to justify the casting. I don't understand Green's reaction to Cage's impromptu audition, either, whether his awed "Jesus" is because he's blown away, appalled, or reacting to an actor--a star--of Cage's calibre grovelling to the director of The Sitter and Halloween Kills. I don't understand why the movie spells Nic Cage's name "Nick Cage": if it's to separate onscreen "Nick" from offscreen "Nic," then why has Nick appeared in all the same stuff as Nic? That "k," like The Unbearable Weight of Massive Talent itself, ersatzes Cage. This movie isn't meta or satire, it's the Dollar Store version of an American original.Continue reading "The Unbearable Weight of Massive Talent (2022) - 4K Ultra HD + Blu-ray + Digital" » Posted in 2022, 4K Ultra HD, Action, Authors: Bill Chambers, Blu-ray Disc, Comedy, Crime, Nicolas Cage, Thriller | Permalink June 26, 2022 Lightyear (2022) **/****screenplay by Jason Headley, Angus MacLanedirected by Angus MacLaneby Walter Chaw Angus MacLane's handsome-looking Lightyear gets enough things right that it's unfortunate it can't quite shake how its best parts are borrowed from Joe Haldeman's classic The Forever War. It has more problems than that, granted, mainly with how its thin supporting cast fails to give the film the humour and pathos it needs to honour the by-now-familiar "heartwarming tearjerker" Pixar formula. There's not a lot of rewatch value here, alas, and that has everything to do with Lightyear's awkward dialogue and inability to stick the landing--maladies, both, that afflicted co-writer Jason Headley's previous Pixar outing, the similarly disappointing and COVID-doomed Onward. The highlight of the piece is robot cat SOX (Peter Sohn), who provides the film its credulous audience surrogate as well as its adorable animal-sidekick comic relief. By himself, SOX saves Lightyear, though he can't elevate it above the airless jokes and pained delivery. What a shame, considering the movie sets a new bar in terms of the complexity of its digital imagery and animation. With Taika Waititi in the cast, I gotta think they could've hit him up for a quick joke polish.Continue reading "Lightyear (2022)" » Posted in 2022, Action, Adventure, Animation, Authors: Walter Chaw, Disney, Drama, Family, Pixar, Sci-Fi | Permalink June 22, 2022 New on Our Patreonby Bill Chambers Heads-up, current and future Patreons: We recently launched SlipStreams, a weekly column in which Walter Chaw and I take turns recommending four titles currently streaming in either the U.S., Canada, or both. In the current "volume" (#3), which went up this afternoon, I pay tribute to the late, great Ray Liotta in choosing three semi-forgotten films that are among his late-career highlights. Meanwhile, the latest edition (#27) of Walter's regular feature Life During Wartime finds him screening Don't Look Now with his daughter; it might be my personal favourite of this long-running series. These pieces are available to any and all subscribers of our Patreon. We don't do "tiers," since the primary purpose of our Patreon is to support this, the mothersite, but we did feel we owed a few bonus goodies to those generous souls keeping FILM FREAK CENTRAL afloat.Continue reading "New on Our Patreon" » Posted in 2022, Authors: Bill Chambers, Blog | Permalink June 20, 2022 Elvis (2022)***½/****starring Austin Butler, Tom Hanks, Luke Bracey, Olivia DeJongescreenplay by Baz Luhrmann & Sam Bromwell and Baz Luhrmann & Craig Pearcedirected by Baz Luhrmannby Walter Chaw Baz Luhrmann's Elvis is part Perfume, part Immortal Beloved--which is to say, it's horny as fuck and formulates music as mass delusion and mind control. Safe to say, the sordid story of the King of Rock-and-Roll is the perfect match for a maximalist director I have found to be excessive to the point of obnoxious, even on those rare occasions where I've liked the movie anyway (see: Moulin Rouge!). Before Elvis, there wasn't an establishing shot Baz didn't torpedo with gratuitous angles and "whooshing" sound effects; before Elvis, his films were not just childish but relentlessly, punishingly childish. The first half of Elvis is more frenetic than the last, though neither sports any affectations that don't augment the story in positive ways. Dissolves, triple-split screens, restless camera movements--they all underscore the breathless headlong rush of Elvis's rise from broke Tupelo hillbilly living in the "Black" part of town to the biggest-selling solo recording artist in history. When it comes time for his inevitable fall, Luhrmann places it in a sociopolitical context, toning down his trademark freneticism in favour of a, most shockingly of all perhaps, thoughtful analysis of several factors that may have played into Elvis's decline into paranoia, drug abuse, isolation, and despair. A story this familiar in a genre as permanently scuttled by Walk Hard requires a certain wisdom to know what to recap versus what to excavate. Elvis walks that line more than it doesn't.Continue reading "Elvis (2022)" » Posted in 2022, Australia, Authors: Walter Chaw, Biopic, Drama, Music, Theatrical | Permalink June 13, 2022 The Trouble with Harry (1955) - 4K Ultra HD + Blu-ray + Digital CodePlease note that all framegrabs are from the 1080p versionAlfred Hitchcock's The Trouble with Harry****/**** Image A Sound A Extras B-starring Edmund Gwenn, John Forsythe, Mildred Natwick, Shirley MacLainescreenplay by John Michael Hayes, based on the novel by Jack Trevor Storydirected by Alfred Hitchcock by Walter Chaw Once I realized the person I'm supposed to suture with in Alfred Hitchcock's The Trouble with Harry is the title character, the middle of Hitchcock's three dead protagonists (sandwiched between Rebecca's Rebecca de Winter and Psycho's Mother), the rest of the movie began to make sense to me. Not a literal sense where the characters' behaviour is reasonable, thus making the narrative intelligible in a rational way, but an absurdist, Lewis Carroll nightmare sense, where language is revealed to be meaningless and unstable enough to destabilize perceptions of time and space as well. The Trouble with Harry casts Vermont in fall as Wonderland aswarm with madness and violence, lodged in a time-loop and peopled by a gallery of hatters and dormice (and even an Alice, completely over-the-rainbow insane) preserved in an autumnal, solipsistic amber of their own deconstructionist, semantic derangement. The closest analogues in movies are Michelangelo Antonioni's Blowup and Michel Soavi's Dellamorte Dellamore: the former echoing The Trouble with Harry's thesis that if reality is defined by language, then reality is as subject to slippage as language; the latter harking back to this film's snow-globe meta-fiction, where life and death play out its meaningless permutations in a philosophical exercise inside an alien terrarium. The Trouble with Harry would play well in a double-feature with Scorsese's existentially terrifying After Hours. Godard's Alphaville, too--a noir about the prison of words where every room contains a "bible," which, in reality, is a dictionary with telltale words removed (like "poetry" and "love"), thereby eradicating them from the minds of a citizenry enslaved by a machine god.Continue reading "The Trouble with Harry (1955) - 4K Ultra HD + Blu-ray + Digital Code" » Posted in ****/****, 1950s, 2022, 4K Ultra HD, Authors: Walter Chaw, Blu-ray Disc, Comedy, Directors: Alfred Hitchcock, FFC Must-Own, Mystery | Permalink June 9, 2022 Jurassic World Dominion (2022)½*/****starring Chris Pratt, Bryce Dallas Howard, Sam Neill, Jeff Goldblumscreenplay by Emily Carmichael & Colin Trevorrowdirected by Colin Trevorrowby Walter Chaw About an hour into Jurassic World Dominion, a nondescript villain--really, the bad guys are all nondescript here, no matter their gender or race--with the admittedly ridiculous name Rainn Delacourt (Scott Haze) is pinned on his back by two dinosaurs eating his arms. Our Dollar Store action figure of a hero, Chad--er, Brad, er...Owen? Our Dollar Store action figure of a hero, Owen (Chris Pratt), screams at Rainn to give up vital information about the location of the emotionless British cyborg clone from the last film, Maisie (Isabella Sermon), who (that?) Owen and his girlfriend/wife/whatever, Claire Dearing (Bryce Dallas Howard), have since adopted. Rainn, before getting his head torn off tastefully offscreen, spills the beans. Here's my problem: why? Why the fuck would he bother to say anything at all? When this scenario plays out in other films, it's because the person being asked the question hopes they'll be freed once they do. But Owen doesn't control these dinosaurs with his magic dinosaur-controlling hand, and it's not framed as Rainn having a change of heart. It's just a blatant misunderstanding of scenes like this, either on purpose or out of cynical desperation, rigged to move a stalled plot along, damning the characters and all sense along the way. What troubles me the most about it is the presumption that no one will notice or that no one will care once they've noticed. J. A. Bayona loaded his Jurassic World: Fallen Kingdom with a shocking amount of social subtext, appropriate outrage, fairytale scale and wonder, even doom. The only thing Colin Trevorrow manages to create with Jurassic World Dominion (hereafter Dominion) is an endurance test of unusual cruelty that, despite its conspicuous bloat, still leans heavily on an extended voiceover prologue and epilogue to try to inject an illusion of plot into aimless, sometimes-vicious, ugly-looking garbage.Continue reading "Jurassic World Dominion (2022)" » Posted in 2022, Action, Adventure, Authors: Walter Chaw, Malta, Sci-Fi, Theatrical, Thriller | Permalink June 6, 2022 Shadow of a Doubt (1943) - 4K Ultra HD + Blu-ray + Digital CodePlease note that all framegrabs are from the 1080p version****/**** Image A Sound A Extras B-starring Teresa Wright, Joseph Cotten, Macdonald Carey, Henry Traversscreenplay by Thornton Wilder, Sally Benson, Alma Reville, from an original story by Gordon McDonelldirected by Alfred Hitchcock by Walter Chaw Just by the fact of her, Charlie (Teresa Wright) is dangerous for her Uncle Charlie (Joseph Cotten), a violent rebuke of the caustic nihilism of his worldview. She's too pure, too loving, too good; her existence is proof there's something wrong with him. Very wrong. She's so rare a thing, the only way to protect her and, by extension, what he believes about our debased, postlapsarian state is to corrupt her. Really, he's doing her a favour. I think that Uncle Charlie knows he's running out of time, that the dragnet around him is tightening at the neck. I think he wants to spend whatever freedom he has left turning his namesake to his way of thinking. Visiting for the first time in too long, he brings gifts for everyone in his sister Emmy's (Patricia Collinge, her character named after Hitch's mother) family: his brother-in-law Joe (Henry Travers), his little niece Ann (Edna May Wonacott), his nephew Roger (Charles Bates), and of course Charlie. But she rejects even the notion of receiving a present from her beloved uncle. His presence is good enough, she says.Continue reading "Shadow of a Doubt (1943) - 4K Ultra HD + Blu-ray + Digital Code" » Posted in ****/****, 1940s, 2022, 4K Ultra HD, Authors: Walter Chaw, Blu-ray Disc, Directors: Alfred Hitchcock, FFC Must-Own, Thriller | Permalink Next» Please Support Film Freak Central PATREON:PAYPAL: E-Mail Us JavaScript required to view e-mail address. 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