"I love Marc Sabat : Music & Writings"

2022-10-22 22:11:10

MarcSabat:music&writingsbiographyworklist (by year)contactPlainsoundsound filesmoviesscores, texts, softwareAll material on this page is made publically available under a creative commons non-commercial license: unrestricted download, copying, redistribution is permitted by the author for non-commercial artistic and educational purposes. Commercial use without explicit permission of the author is not permitted. Rights to these scores are not administered by a third-party collecting agency, and the author advises performers of his work they need not pay any third-party licensing fees.YouTube ChannelSoundCloudWORKsolosduosensemblevocalvideowriting/researchEDITIONSMaybe Here (2021)Marc Sabat & Julia Holter(voices, violin, piano)care of editions c/o-13Gioseffo Zarlino (2020)Harmonic Space Orchestrasacred realism sr010Nocturne (2020)Richard Valituttonocturnes & lullabiesnew focus recordings fcr243Harmony (2019)Jack Quartetanother timbre #109Les Duresses (2014)Andrew McIntoshcare of editions Modernes Kaufhaus (2014)gnarwhallaby[exhibit a]populist recordsZap Pole Moron (2012)Pompa/Sabatartist editionavailable from the artists Erbsen (2011)Lucia MenseElectronic Counterpointsatelita 004Epistolae Cucumeris (2010)Pompa/Sabatartist editionavailable from the artistswave piano scenery player (2010)Stephen ClarkeWorld Edition 0016INTERVIEWS & FEATURESHarmonic Phenomenologywith John LambertonBRIDGE podcastMay 2022 In Conversationwith Ondrej VeselyThe Brooklyn RailOctober 2017The Idiosyncratic Musicality ofMarc Sabat (O Frabjous Day!)by Nick StorringMusicworks magazine#125 Summer 2016Zwischen Tönenby Friederike KennewegDeutschlandradio Kultur20 October 201556'Gregory Gan Radio InterviewThe Theory of Happiness / 4'33"CiTR FM Vancouver2 December 2013Der Traum von Reinheitby Friederike KennewegSWR2 JetztMusik11 November 201356'Interview with Bob GilmoreKlub Katarakt / Kampnagel, HamburgVAMH Presentation 341 February 2013Intonation ist Kompositionby Thomas GroetzBayerischer Rundfunk20 February 201254'Lautstrom: Marc Sabatby Anna Bromley and Jeremy Woodruffreboot.fm16 June 201060'Interview with Daniel Vezza2009Musik für Menschen und Maschinenby Matthias EntressDeutschlandRadio29 April 200857'RECENTetcetera, to witt (2022) after a fragment by Ludwig Wittgensteinviolin4'To walk in this what came to pass (2022) remembering my grandparent’ flightmixed ensemble of 415 Hzand 440 Hz instruments10'falsche freunde / false friends (2013/2022) poetry/composition/translation Uljana Wolf/Marc Sabat/Susan Bernofskyvoice counterpoint30'Inner voice (2021)electric guitar, string quartet,electronics30'Streams barely in winter (2021)string ensemble6.3.3.3.212'Fleeting flight sleeping woke (2021)Alois Haba's 1/6 Tone Harmoniumfl, cl, sax, tbn, vn, va, vc, cb12'False fruit (2021)guitar8'SEE HEAR (2021)Marc Sabat / Mareike Yin-Yee Leemusic film40'SOLOS / FIXED MEDIAtopsolosduosensemblevocalvideowriting/researchetcetera, to witt (2022) after a fragment by Ludwig Wittgensteinviolin4'False fruit (2021)guitar8'Partite Requiem (2019)cello20'Etude (2017)piano1'is land a part (2014)contrabass and computer30'Swing in sweetest summer (2013)glissando flute and computer15'2nd WAKE (for Bob) (2009)Fokker Organ in 31-tone temperament11'Erbsen (2009)recorders and prerecorded track10'eudaimonia (2009)composed jointly with Stefan Bartlingpiano5'Hairy Hippy Happy #2 (2008)computer intonationsampled and filtered Indian sruti box11'45"wave piano scenery player (2007)Marc Sabat / Lorenzo Pompascenery with paintings, piano,pianist, computer, loudpeakers18h1. WAKE for JIMcomputer-driven acoustic piano5'2. to DamascusMIDI-output acoustic piano30'reminded again (2007)music scenery with accordionaccordion and recorded electronic tones72'reminded again (2007)music scenery with harmoniumharmonium and recorded electronic tones72'Wonderful Scatter (2005)music scenery with tuba6-valve F tuba with valve-sensors computer and loudspeaker104'from Les Duresses:a book of music in Just intonation (2004)1. Intonation after Morton Feldman #1violin10'2. Intonation after Morton Feldman #2violin10'3. Two Commasviolin10'Artificial Music for Machines (2002)MIDI-output acoustic piano with livecomputer generated tuned sinewaves11'John Jenkins (2001/11)2 manual harpsichord in Just Intonation15'4 piano inventions (1999)piano9'For Magister Zacharias (1997) amplified Steinway piano mechanism 10'Air—Spit—Tune (1997/2013)soprano and optional viola8'Change in your pocket (1997) amplified bowed string instrumentand delay12'Nocturne (1996)piano7'2 piano studies (1995)piano9'DUOStopsolosduosensemblevocalvideowriting/researchfalsche freunde / false friends (2013/2022) poetry/composition/translation Uljana Wolf/Marc Sabat/Susan Bernofskyvoice counterpoint30'Streams barely in winter (2019)two violins5'Plainsound Duet (2018)any two players5'Part song (2017)violin and contrabass5'Sei Bach-Intonazioni perViolino Solo, Ia IIa IIIA (2010/19)violin with optional2nd violin bordunGioseffo Zarlino (2015)2 or more instruments30'Bob Gilmore, Elisabeth Smalt (2015)violin and viola10'Composition for La Monte Young,February 20102 playerstwice the same instrumentTristan, Isolde (2009)2 pianos2'Claudius Ptolemy (2008/17)violin or contrabass and cello4'November 15, 1935 - Leaving Santa Barbara (2007)based on a sketch by Harry Partchsolo male Intoning Voice and Violin with spoken voice aside6'wave piano scenery player (2007)Marc Sabat / Lorenzo Pompascenery with paintings, piano,pianist, computer, loudpeakers18h2. to Damascuspiano and keyboardboth playing the same part30'3. wave sceneryduo for computer and pianist17h 30'WAKE for JIM (2007)pianist and player-piano 5'reminded again (2007)2 harmoniums in unisonand recorded electronic tones72'from Les Duresses:a book of music in Just intonation (2004)4. Duas Quintas2 violins15'YOU MAY NOT WANT TO BE HERE(after Bruce Nauman) (2000)composed jointly with Matteo Fargionrecorded voices, prepared piano,electric and/or acoustic violins31'Air—Spit—Tune (1997/2013)soprano and optional viola8'For Michael Baker (1996)trumpet, bass drum3'3 Chorales for Harry Partch (1993)retuned violin and viola6'ENSEMBLE / ORCHESTRALtopsolosduosensemblevocalvideowriting/researchTo walk in this what came to pass (2022) remembering my grandparent’ flightmixed ensemble of 415 Hzand 440 Hz instruments10'Inner voice (2021)electric guitar, string quartet,electronics30'Streams barely in winter (2021)string ensemble6.3.3.3.212'Fleeting flight sleeping woke (2021)Alois Haba's 1/6 Tone Harmoniumfl, cl, sax, tbn, vn, va, vc, cb12'Divide (2019)string quartet orany four instruments14'Seeds of skies, alibis : prologue (2019)voices + instruments: alto flute,viola, keyboard, ebow guitar, contrabass, cello, retuned piano25'The Luminiferous Aether (2018)orchestra24'LIGHT GROUND (2014-), in progressMarc Sabat / Mareike Yin-Yee Leevoice, violin, viola, 2 contrabassesprerecorded tanpuras and installation70'Asking ocean (2016)string quartet and 18 instruments48'Gioseffo Zarlino (2015)2 or more instruments30'Surface slips away (2014)bassoon, cello andsteel-string guitar45'Lying in the grass, river and clouds (2012)chamber concerto for pianoand 14 instruments35'Jean-Philippe Rameau (2012)any three sustaining instruments12'Garden Songs (2009/12)music about a text by Wolfgang Betkedobro, alto flute or bass recorder,percussion, prerecorded voice9'ERIK SATIE Vexations INTONATION (2011)3 instruments (open)openKaleidoskop für Gerd Lünenbürger (2011)string ensemble3'Euler Lattice Spirals Scenery (2011)string quartet30'Al naharot Bavel (2010)contralto, basso, adapted viola,horn, trombone, tuba5'Hairy Hippy Happy (2006/10)double horn, tenorbass trombone,5-valve F-tuba15'String Quartet 2(Cucumber Variation) (2010)2 violins, viola, cello35'Cucumber Serenades (2009)(Gurkenlieder)solo violin, violin choirelectronics30'De profundis clamavi ad te, Domine (2008)viola, adapted viola, celloeach player also singing8'reminded of charlemagne palestine (2007)violin, cello, piano25'Spectral Canon No. 1(for James Tenney) (2005)12 contrabasses10'John Jenkins (2001/11)6 instruments (open),2 manual harpsichord in Just Intonation 15'Johann Sebastian Bach RICERCARMusikalisches Opfer 1 (2001/11)composed jointly with Wolfgang von Schweinitz3 parts (open), computer soundsopen‘Hope’ — Gioseffo Zarlino (2000/15)text : Philostratus (the elder)English translation : Christian Wolff male and female voices, bass flute,clarinet, violin, viola, cello, piano 8'Idyllily (2000)composed jointly withMartin Arnold, John Oswald, Richard Wagner11 solo strings and optional voices13'Backyard summer patio (1999)bass clarinet, percussion, piano 9'Three Fleshy Loves (1998)clarinet/bass clarinet, violin, cello, piano19'Everlasting sweet peas (1998)3 violins10'Modernes Kaufhaus (1998/2010)clarinet/bass cl, trombone, cello, piano11'Trio for piano violin cello (1998)tuned in Just Intonation17'You & Mr Mason (1997)11 piano playersno previous experience required10'Mein Mantel ist weg (1997)piano, amplified clavichord, violin, soprano/alto sax, whistling,electric bass10'Quiet Winter (1996)violin solo and ensemble20'pier (1996)composed jointly with John Oswaldship’s horns5'Beautiful city (1994)string quartet10'VOCAL / OPERAtopsolosduosensemblevocalvideowriting/researchHANDS to MOUTHS (2018)Marc Sabat / Mareike Yin-Yee Leefixed media installationfemale Dhrupad voice, video18'Seeds of skies, alibis (2017)Prologue and Part One6 voices a cappellaand electronics44'Al naharot Bavel (2010)contralto, basso, adapted viola,horn, trombone, tuba5'Garden Songs (2009/12)music about a text by Wolfgang Betkedobro, alto flute or bass recorder,percussion, prerecorded voice9'Father’s suit and watch (2009)Marc Sabat / Lorenzo Pompabased upon the song “House Carpenter”by Clarence Ashleyvideo ballet in ten tableaux withPrologue, Entr’acte and Epilogue54'De profundis clamavi ad te, Domine (2008)viola, adapted viola, celloeach player also singing8'November 15, 1935 - Leaving Santa Barbara (2007)based on a sketch by Harry Partchsolo male Intoning Voice and Violin with spoken voice aside6'New shoes, without laces (1998)text / video : Nicolás Fernándezfemale voice, accordion,violin, cello, percussion23'An Opera (1997)based on a text by Emmett Williamscomposed jointly with Matteo Fargionmale and female voices,violin and marimba(or clavichord)3h 15'VIDEOtopsolosduosensemblevocalvideowriting/researchfalsche freunde / false friends (2013/2022) poetry/composition/translation Uljana Wolf/Marc Sabat/Susan Bernofskyvoice counterpoint30'SEE HEAR (2021)Marc Sabat / Mareike Yin-Yee Leemusic film40'LIGHT GROUND (2014-), in progressMarc Sabat / Mareike Yin-Yee Leevoice, violin, viola, 2 contrabassesprerecorded tanpuras and installation70'HANDS to MOUTHS (2018)Marc Sabat / Mareike Yin-Yee Leefixed media installationfemale Dhrupad voice, video18'Father’s suit and watch (2006)Marc Sabat / Lorenzo Pomparemix : Michael Hynesvideo ballet52'AUTOMAT (1999/2007)music : Marc Sabat video : Peter Sabatmusic scenery for 2 violinsvideo and field recording 14'Three for Magister Zacharias (1997/2002)music : Marc Sabat video : Peter Sabatvideotaped performance atSkywalker Sound, Marin County CA25'Change in your pocket (1997/2002)music : Marc Sabat video : Nicolás FernándezDVD realization : Peter Sabatvideotaped performance atAkademie Schloss Solitude, Stuttgart12'WRITING / RESEARCHtopsolosduosensemblevocalvideowriting/research31-Limit Helmholtz-Ellis Calculator (2021)accidentals and ratios to centsadditive synth for microtonal MIDI playbackMax7 32- 64-bit Mac or PCzip archive 7.2.2021A Compact Enharmonically Viable Subset ofHarmonic Space: The Stern-Brocot Tree and SomeThoughts About Lattices and Spirals (2020)Marc Sabat & Thomas Nicholsonpublished in Živá Hudba 220/117.6.2021The Helmholtz-Ellis JI Pitch Notation (2020)revised symbols for primes up to 47entirely based on alterationsof Pythagorean noteslegend and harmonic/subharmonic seriesThe HEJI2 Font (2020)cross-platform Unicode opentype fontsfor microtonal JI accidentalszip archive 7.2.20212020 update of the symbolsFarey Sequences Map Playable Nodes on a String (2019)Marc Sabat & Thomas Nicholsonpublished in Tempo Vol. 74 No. 291January 2020Relative Dissonance (2019)on my music for string quartetpublished in MusikTexte 163(English and German)Well temperament revisited (2019)two extended JI tunings fortwo keyboards a quartertone apartpublished in Xenharmonikon2019/06/27Fundamental Principles of Just Intonationand Microtonal Composition (2018)Marc Sabat & Thomas NicholsonIntroducing my work in microtonallyextended just intonation (2017)published in Ostrava Report 2017Three Tables for Bob (2016)published in Tempo Vol. 70 Issue 278Euler lattice with sruti regions from D —a map of 23-limit harmonic space (2016)published in Tempo Vol. 70 Issue 278Some 23-limit enharmonic proximitites (2016)published in Tempo Vol. 70 Issue 27853-tone 5-limit Euler Lattice (2011/16)published in Tempo Vol. 70 Issue 278Pantonality Generalised: Ben Johnston’sartistic researches in extended just intonation(2014) corr. 2018published in MusikTexte 144and Tempo Vol. 69 Issue 272Shadings in the Chromatic Field (2012)published in MusikTexte 133Stay Still / Still Stehn (2011)published in Positionen 89Some Reflections About Sound,Music and Art (2010)published in Positionen 84On Ben Johnston’s Notation andthe Performance Practice ofExtended Just Intonation (2009) corr. 2018monograph for Ben Johnston and Sylvia SmithAn algorithm for real-timeharmonic microtuning (2008)paper presented at the congress on Sound and Music ComputingThree Crystal Growth Algorithms in23-limit constrained Harmonic Space (2007)based on an article by James Tenneypublished in MusikTexte 112 and in Contemporary Music Review (vol 27 part I 2008)Towards an Expanded Definition ofConsonance: Tuneable Intervals onHorn, Tuba and Trombone (2006)Marc Sabat & Robin HaywardDouble Horn in Bb and F:tuning in Just Intonation (2005)Natural Harmonics on Cello and Violin (2005)23-Limit Tuneable Intervalsabove and below A (2005)Note: in 2020 the alteration ratios for 17 and 29were redefined and additional symbols were added;please see above for a current version of the notation.The Harmonic Series 1-64 (2005)Note: in 2020 the alteration ratios for 17 and 29were redefined and additional symbols were added;please see above for a current version of the notation.The Extended Helmholtz Ellis JI Pitch NotationEnglish text (2005)Deutsche Fassung : Natalie PfeifferNote: in 2020 the alteration ratios for 17 and 29were redefined and additional symbols were added;please see above for a current version of the notation.Helmholtz Ellis JI Pitch NotationIntroduction and Simple Legend (2005/9)original version with accidentals up to 23-limitNote: in 2020 the alteration ratio for 17 was redefinedand now modifies a Pythagorean augmented octaveMarc Sabat & Wolfgang von SchweinitzHelmholtz Ellis JI Pitch NotationFull Legend (2005)original (now deprecated) versionwith accidentals up to 61-limitMarc Sabat & Wolfgang von SchweinitzJohann Sebastian Bach RICERCARMusikalisches Opfer 1 INTONATION :an experimental application ofExtended Rational Tuning (2003)topsolosduosensemblevocalvideowritingPLAINSOUND MUSIC EDITIONcc2020Unless otherwise indicated, files are made available under a Creative Commons license for artistic and educational purposes. Commercial use without explicit permission of the authors is not permitted.